Earlier this year I took a commission across the Irish Sea in Northern Ireland, and being this was a part of the world I’d always wanted to photograph; I spent a few days after the job to shoot some personal … Continue reading
“hark, now hear the sailors cry, smell the sea, and feel the sky let your soul & spirit fly, into the mystic…” ― Van Morrison
The final few days of the trip, Kep, (which is on the south coast of Cambodia) was the perfect place to kick back, relax in the sea air and enjoy the local seafood at the fantastic local restaurant (The Sailing … Continue reading
On a day exploring the island we were lucky enough to stumble across this Chinese New Year festival, near Lamai Beach. On the south you can find palm fringed, unspoilt beaches like this one, with a relaxed tropical atmosphere. Back … Continue reading
From Bangkok I made the misguided decision to travel to the Island of Ko Samui with Air Asia, this involved an arduous coach and ferry journey because the flight only takes you south, landing on the mainland in Surat Thani … Continue reading
The Morning Market, Luang Prabang, Laos, its 7:20am and I’m crouching inches from this fish aiming a wideangle lens at its lifeless mouth, if only every day could commence in this fashion! Nikon D800E, Nikon 14-24m Lens at 14mm, 1/100th … Continue reading
From Vang Vieng we headed north (to set things right) to Luang Prabang. This beautiful city was made a UNESCO world heritage site in 1995 and I’ve got to say its one of my favourite cities in Asia, (by English standards having … Continue reading
Sunday, the day of the sabbath – the choice = Tottenham vs Swansea or a Shoot, I can’t watch the team white so its a downtown train. With some city shoots I aim to time the shoot to coincide with the rush of people and traffic which I’ll include in the frame. However for this shoot which I’ve had on my mind for awhile, sunday was the perfect day – the lack of traffic / commuters / security guards meant I could have peace to sit on the pavement at the foot of the Lloyds building, in central London.
I picked up the Nikon 14-24mm Lens in New York recently as a little treat, I’ve been looking forward to using this along with my new body (Nikon D800E) to reimagine some of my previous shoots in the city. Being able to zoom out to 14mm which is close to a fisheye perspective allows me to be a few metres from the foot of a building and yet still fit the entirety of the structure in frame.
This is the newly finished Heron Tower (near liverpool st), shot handheld on my way to the primary location. I’ll come back and do more of the amazing building soon.
Looks good on the back of the camera, I always like the reflective nature of glass buildings, now over to the main event. I scope out the location with a slow walk around the building – I know where I want to do the main shot but its not time yet – i want it a little darker, so I’ll set this up to do i the meantime..
Struggling now to do this handheld but its not possible with this tripod set up to angle the camera directly up – I’ve pumped the ISO to 800 and aperture is almost wide at 3.2, usually you’d struggle for sufficient depth of field but at 14mm it almost infinite. I love the industrial look of this building with all the pipes visisible on the outside, reminiscent of The Pompidou Centre in Paris.
This is the one I came for, I’ve got the tripod angled up and I’m crouching on the pavement, lens is zoomed out to 14mm to get as much as possible in, D800E is at F8 (no point stoppng down further and have diffraction softening the image, and I don’t need to slow the shutter speed either) 1 second exposure at ISO200. Only exposed a few frames – its amazing how quickly the light changes at this time of day, after a short while the sky is losing the blue colour and being lit by the light pollution of the city. I move on to one final shot before heading home..
Sunset at Kimmeridge in the winter months is a popular spot for Dorset’s booming populace of landscape photographers. I shot it many times when I was still based in the county but I’d never got anything of this view looking west up the coast I was satisified with.
Some free time in my hometown earlier this year gave me the opportunity to achieve the shot I’d always wanted, the weather was looking changeable – always worth heading out on these klind of days. Being a weekday and an early sunset meant I wouldn’t be battling for tripod space with hordes of other photographers, just a few surfers returning from the water for company. I set up further back from the shore than I’d usually be because I wanted to work a longer focal length and bring the distant horizon and cliffs into the frame. (Also meant the camera didn’t get its usual salt wash!), filters – easy – we’re going with a Neutral Density Graduated Lee 0.9 to hold back the sky and an 6 Stop ND to give the long exposure blurring the water. Got this frame just before the sun came under the cloud and got too strong to handle.
The game pauses for 20 minutes while the sun moves through that gap, when it gets back to those low clouds just above the horizon we can shoot again, the clouds are blocking enough of it. Same sort of exposure and filter setup as before, this time I’m showing more of the cliffs on the right side, liking the strong cloud lineup and the diagonals from the rocks leading out into the water. With this kind of shoot the sun is moving fast and the light changing all the time – you need to know where you’re shooting from and stick with it, there isn’t time to be moving or fiddling with equipment.
The sun drops lower and I opt for a wider view, including more of the foreground rocks and shore, I don’t want to go too wide here as the rocks are so dark that they may have little interest in the final composition. However the geology close to the water is getting splashed and the reflections are picking up hints of the sunset above so they’re gonna work nicely. Same sort of filter and exposure setup, watch the highlights / histogram – just a tiny bit flashing around the sun, thats OK we can pull that back later. Job done..